The Project

Aside from intent to give exposure to the participants’ aesthetic abilities, this interactive exhibit intends to explore the meaning-making process, and discrepancies between messages received by viewers contrasted against the message intended by the photographer, as well as the interplay between the meaning connoted or suggested (suggested or inferred meaning) and denotation (literal meaning).


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Hiroko Masuike #1

Taken by Hiroko Masuike | Kesencho, Rikuzentakata, Iwate Prefecture, Japan | April 14, 2011
What the photographer saw

Early in the morning, Naoshi Sato, 78, a tsunami survivor, uses a plastic megaphone to greet and to cheer his neighbors who live at a small temple building called Fudoudo on the other side of the village in Kesencho, Rikuzentakata, Iwate Prefecture, Japan, April 14, 2011, about one month after the tsunami hit the area. Out of some 550 homes, all but two were destroyed and only three structures, including Fudoudo, were left standing. Most survivors evacuated Kesencho, but 15 residents refused to abandon their town, living in Fudoudo or their destroyed homes amid debris — without electricity or running water.

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